An extremely light diversion: 4 completely different songs titled — variously spelled — "La Dee Dah"

The most familiar one to me is this — on the first 4 Seasons album. Much as I've loved the 4 Seasons in my time, I've got to promote the Billy and Lillie version from 1958:



This is a silly song, with lyrics that include: "La dee dah, oh boy/Let's go/Cha, cha, cha/I feel so fine/Now that you are mine...." Excellent candy.

I'm not sure if I remember the Ringo song "La De Da" — spelled like that. This is from 1998, from his 11th album:



This too is pretty silly, with lyrics like "La la de da, like que sera sera/Whatever la de da, la de da/All you got to say is la de da." Okay. Ringo. It's Ringo. What can you say? It's easiest to quietly love him.

Then there's a Foo Fighters song from 2017. The spelling here spelled "La Dee Da." This lacks the la-dee-dah feeling of Billy and Lillie and Ringo, with lyrics like: "Hate if I want to, hate/Psychic Television and Death in June/Jim Jones painting in a blue bedroom." Listen to it here if you like. Whatever their problem is. I choose to pass that one by.

But the really striking la-dee-dah song is "Lah-Di-Dah" — and let me say, that's my favorite spelling — by this English guy Jake Thackray, whom I had never heard of:



I hope you made it past his long introduction! Wikipedia says: "John Philip "Jake" Thackray (27 February 1938 – 24 December 2002) was an English singer-songwriter, poet and journalist. Best known in the late 1960s and early 1970s for his topical comedy songs performed on British television, his work ranged from satirical to bawdy to sentimental to pastoral, with a strong emphasis on storytelling, making him difficult to categorise."

This "Lah-Di-Dah" is an elaborately written song about loving a woman enough to put up with her awful family. The lyrics include:

I'll be nice to your mother
I'll come all over lah-di-dah
Although she always gets up me nose
I love you very much
And so I'll smile and I'll acquiesce
When she invites me to caress
Her scabby cat
I'll sit still while she knits
And witters, cross my heart
And I shan't lay a finger on the crabby old batface

That's one of 5 verses. I had to look up "witters." It's Scottish dialect, and it means "To chatter or mutter; to grumble; to speak with annoying lengthiness on trivial matters." What a useful word!

Anyway, what blew my mind is that it was covered as a duet by Petula Clark — who has a lovely voice — and Rod McKuen — who just really isn't even a singer:



I can see that there are clearly at least 2 completely different meanings for "la-di-da." I know that's another spelling, but I'm looking it up in the OED now, where it says the word is onomatopoeic, ridiculing the "swell" manner of speech. It's a "A derisive term for one who affects gentility." The British also say "lardy-dardy." This is the meaning I grew up with, except that I encountered it as an adjective. It meant pretentiously fancy. So I was confused by the usage in the movie "Annie Hall":



There, you see it's a mild, almost meaningless interjection — similar to "oh, my" or "gosh" — basically, ah, well, what are you going to do. I think you can put Ringo, Billy and Lillie, and Foo Fighters in the "Annie Hall" category. Only Jake Thackray has the OED meaning.

Well, enough of that. I hope you enjoyed being distracted from the troubles of this crazy world for a few minutes. Here, I'll let you vote on your favorite la-di-da:

Please listen first, then pick one:

4 Seasons

Billy and Lillie

Ringo

Foo Fighters

Jake Thackray

Petula Clark and Rod McKuen

 

pollcode.com free polls

"I don't want to touch an object," I found myself saying, socially distancingly.

The sun was rising, and 3 young women...



... had asked me if I'd take a picture of them — the kind of request I've always happily agreed to. And here I was being stand-offish, in the manner of a person with OCD because they wanted to hand me their phone. It's covid19world, and we're all OCD now, so I couldn't go along with that, and I knew they'd understand. Actually, they'd probably have understood in pre-covid19world and simply regarded me as a person with a disability to be treated with empathy.

But in  pre-covid19world,  covid19world, and  post-covid19world, there is a solution to the problem of not wanting to touch the other person's phone. You don't need to refuse the lovely social opportunity to take someone's picture for them. It's AirDrop. Take a photograph on your own iPhone and AirDrop it to their phone. You just have to remember, and fortunately I did.

It was nice to encounter some young people, up for a 5:40 sunrise, experiencing our strange time with optimism. Nothing more optimistic than a sunrise.

The walk back from the vantage point had the sun at our back and the fading Flower Moon up ahead. I always love when Meade sings. He began "When the moon...." but it wasn't the "When the moon" song that I thought it was. There are at least 3 well-known songs that begin "When the moon...." Which is the first one that you think of? Two are optimistic but they take entirely different paths of optimism. The other one is sad. I don't know why the sad one is the one I thought of, such a sad old Depression-Era song...

"Is there a way to make music that includes... cars honking, trains going past, buses grinding gears, people shouting in the streets?"

"We’d been reading ‘Silence,’ by John Cage, and that was the last key really. Chairs scraping can now be the music; what do we want to include? No drummer, because music is so quickly fixed and made traditional and acceptable by the four-four-drum pan of the rock music. Then why do you need to know how to play? What is an instrument? Something that makes a noise, amplified or not. We don’t need to know how to play. What’s around? What can we use, in the spirit of a Duchamp readymade?... [Cossi Fan Tutti] didn’t like electric guitar, because it was too heavy, so we got an electric saw and sawed off the bits we didn’t like. I didn’t really like the trying to learn where to put my fingers, and it wasn’t necessary for our purposes. Another member, Sleazy, who was Peter Christopherson, was really into William Burroughs, so he said, 'I’d really like to involve cutups, with a tape recorder.' He altered walkman tape recorders so when you played a cassette you could hear both sides at the same time..... Chris built synthesizers. Nobody was using them in England. We said, 'That’s great—it’s very anti-rock.'... Industrial music for industrial people.... And little did we know it would become a global phenomena—from that tiny space and four people who couldn’t play.... We had a big digital clock onstage, and we played only an hour; we were clocking on and off.... We had wanted to make music like Ford made cars on the industrial belt. Industrial music for industrial people."

From "Industrial Music for Industrial People: The Singular Legacy of Genesis P-Orridge" (in The New Yorker)(and here's where we talked about the NYT obituary for P-Orridge).

A lesson in managing alarm...

car alarm kept going off so i improvised pic.twitter.com/c8zMC2VueW

— Andrea Long Chu (@theorygurl) March 20, 2020

"More than two thousand episodes [of Desert Island Discs] are available online as downloads or podcasts..."

"... and I began listening to them a few years ago, as a way of glimpsing times other than my own. I love hearing about the path-altering memories of others—what it was like to experience Beatlemania or Motown or punk before they were settled narratives. At first, I was drawn to specific guests, hoping to learn more about the interiority of David Beckham (the Stone Roses, Elton John, Sidney Bechet), what kind of music Zadie Smith liked (Biggie, Prince, Madonna), where the cultural theorist Stuart Hall found inspiration (Bach, Billie Holiday, Bob Marley—'the sound that saved a lot of second-generation black West Indian kids from just, you know, falling through a hole in the ground').... It’s come to seem less like a show about music and creative inspiration than one about the possibility of loneliness. How do you find meaning in total isolation?... As many people prepare for weeks of 'social distancing' and working from home, we return to comforts.... It never occurred to me, until fairly recently, that this exercise was different from merely naming your favorite songs, or what you considered to be the best.... I didn’t realize that the desert-island choices were really a question about mortality.... What would it mean to survive and find yourself alone (Pharoah Sanders)? Would you bask in memories of friendship (the Beach Boys) and good times (Derrick May), of your greatest love (the Intruders)? Would those memories be too painful? Maybe you would want to listen to music that existed free of context—the last splendid and uplifting thing you heard before getting lost, a reminder that the world goes on without you?"

From "Join Me in My Obsession with 'Desert Island Discs'" by Hua Hsu (in The New Yorker). Go here for the shows.

ADDED: To be clear: "It’s an interview show with a simple premise: each celebrity guest discusses the eight recordings that he or she would bring if cast away alone on a desert island." Just 8 songs. Not albums.

"It was the dawn of the psychedelic 1960s, and she saw that she could create herself in a new form, as an alter ego she called Genesis P-Orridge...."

"After art school she formed a confrontational performance group called COUM Transmissions, which shocked the British art world with a 1976 exhibition called 'Prostitution' at London’s Institute of Contemporary Arts. The exhibition included pornography, strippers and used tampons, and led one member of Parliament to call the group 'wreckers of civilization.' The core members of COUM morphed into Throbbing Gristle, an often abrasive experimental band that coined the term 'industrial music' to describe its repetitive, amelodic soundscapes. As with COUM, performances might involve nudity, self-mutilation, dead animals and Holocaust imagery; the band’s best-known single [was] 'Zyklon B Zombie'....  [I]n 1991... Genesis relocated to Kathmandu with her first wife, Paula, and their daughters, Genesse and Caresse.... There, as Genesis’s first marriage unwound, she found another unlikely identity, as a single father of two girls, attending P.T.A. meetings in a silver miniskirt and thigh-high boots.... On a trip to New York, she met Jacqueline Breyer, a dominatrix and nurse. Their love was so consuming that they wanted to fuse into a single entity, freed from the binary divisions of gender.... They got matching breast implants.... 'We’d go to our plastic surgeon and say, what else can we do now to look more alike?'"

From the NYT obituary for Genesis P-Orridge, nee Neil Andrew Megson. The cause of death, at age 70, was leukemia.

The obituary closes with this quote from Genesis: "Some people take their lives and turn them into the equivalent of a work of art. So we invented Genesis, but Gen forgot Neil, really. Does that person still exist somewhere, or did Genesis gobble him up? We don’t know the answer. But thank you, Neil."

"In Siena, the city to which I am very attached, you stay at home but sing together as if you were on the street."

A Siena, città alla quale sono molto legato, si sta in casa ma si canta insieme come se si fosse per la strada. Mi sono commosso pic.twitter.com/IDPqNEj3h3

— David Allegranti (@davidallegranti) March 12, 2020

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